I’m a bit late putting this one up… my favourite Glastonbury for years.
My first visit to Eindhoven Psych Lab.
The festival had 4 stages; the Main Lab, the tiny Skid Audio Plant stage, a midsize stage downstairs called The Observatory, and Modulab in the bar.
It was non-stop performances, (around 45 bands/artists over the weekend), with fantastic visuals supplied by Shelf and EPL Visuals Team. I have attempted to re-create the visuals for each band in my drawings.
We arrived on friday evening to hear the announcement that The Oscillation and Useless Eaters were stuck in traffic and couldn’t play until later. (We’d been up since 6am so we didn’t stick around late enough to find out if they did).
We saw 18 performances, and these were the favourites;
Orchestra of Spheres put on a real proper show, they filled the Main Lab Stage with fab dance moves, kookie glasses, self-made instruments, infective tunes, danceable rhythms, and a bass sound that grabs your heart and makes you fall in love with Orchestra Of Spheres. A highlight of Psych Lab.
Parquet Courts are more ‘rock’ than ‘psychedelic’, but were a good fun band for a friday night and the whole of the Main Lab was dancing. My friend Gav said that the visuals behind them made him worried that he’d left the gas cooker on.
Black Valleys meets OWOW was the first performance of saturday afternoon on the smaller Observatory Stage and they were the best smelling band of the weekend. Black Valleys are the alter ego of White Hills, and after seeing Black Valley’s set my biggest regret of the festival is missing White Hill’s set on Friday evening. Their Psych Lab performance was made using a special set of instruments made by Eindhoven based company OWOW and was definitely a highlight of the festival.
Peninsula played 2 sets on the Modulab Stage, we caught the second set, on saturday evening. It was a refreshing blast of experimental noise-art/soundscapes to zone out to and be immersed in true psyched up sounds.
The Modulab stage is described best in the program “We work mainly with modular synthesisers. The individual parts of the modular synthesiser resemble the building blocks of sound, and eventually music. By connecting these building blocks with wires, carrying electrical signals, we can control and influence the creation and evolvement of sound into something spectacular.”
We hung around the Modular Stage and caught the 2nd set of another festival favourite, Mono-Poly. I don’t usually draw bands while I’m watching, but this seemed perfect to draw to. There was only a small handful of people watching, but all of us lucky enough to experience Mono-Poly’s set doubtless would count this as a highlight.
The Mystery Lights were also on the Observatory Stage. Gav’s highlight of the festival. They have a proper 60s garage psychedelic sound, best singer jumps of the festival, and their set went by way too quickly.
3 days of sun, sand, and fantastic garage-punk. The party was based in a camp site, a better location than the hotel that the party was held in last time I went 2 years ago. All the bands of the weekend were brilliant. I watched all 12 bands, and it was great to be participating, as my band The Pukes played at the pool party on Friday afternoon.
The first band of Friday night was Las Marlenes, one of my favourites of the fiesta.
After Las Marlenes was Charm Bag, then the Jackets and lastly Miss Ludella Black. Afterwards we did dancing in the bar til the tiny hours, and then walked home (without even a jumper or anything! it was so hot!)
Saturday was my favourite day, starting with The Cheating Hearts playing on the bar terrace, followed by Leadfoot Tea and Fernando.
After Leadfoot Tea & Fernando there was a couple of hours break to listen to the excellent DJs, sample a few copas de cerveza and enjoy the sunshine. The Masonics kicked off saturday night, followed by Thee Jezebels, the The X-Men and a punk-rock finale of Biznaga. I absolutely loved all of the bands that played on the saturday.
Roll on next year for more Munster fun!